Syndicate project drama3/20/2023 ![]() ![]() How do you select materials for your workshops and productions? (I was getting cast as a lot of weird aunts and trauma survivors.) I wanted to create work that represented a wider spectrum of queer identities, and collaborating within a company of women, queer, and trans folks was an important step for me. Personally, I had been working in New York as an independent artist for several years and was getting frustrated with the roles, onstage and off, that were available to me as a queer woman. Over the course of a year, with some nudging from our company member Leigh Hendrix, the 7 founding members of the Syndicate started talking about wanting a company, though we all had different reasons for it. ![]() So the emphasis on working within a collective was already built into our training. Most of us met while training or working with SITI Company, an incredible ensemble that has been together for more than 25 years. We come together every year to rehearse and perform new work, and we do a lot of our administrative and pre-production work when we’re apart.Ĭan you tell us what inspired you to create this ensemble theater company? I call us a de-centered theater company because we produce in two cities - New York and Chicago - and our members are based in Brooklyn, Chicago, The Hague, and Pennsylvania. The Syndicate is an ensemble theater company that makes new plays by women, queer, and trans artists. They shared some project developments and how their work has impacted the communities that they serve.Ī scene from “Civility!” | Photo Cred: Hanna Meltz We talked to Megan Paradis Hanley of The Syndicate for our monthly “Meet the Project” interview series. The Syndicate is a fiscally-sponsored project who has been successful at using our program to advance their mission. By Lauren Lattimore, Program Associate at Fractured Atlas
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